BILLY
ELLIOT
Clearly
the British are learning from Hollywood. Billy Elliot
is the BBC version of Rocky, with a few elements from
Flashdance and How Green Was My Valley thrown in as
well. I kept waiting for the kid to open his arms
wide and sing, "Gotta dance!"
But
if this is formula moviemaking, it's a formula that
works. This kid's success makes you feel good, no
matter how jaded you are or how much you notice the
strings of manipulation.
The
formulaic quality of this film may be why the writers
back off of two key moments that could have been bigger.
One is when Billy first becomes intrigued with ballet.
There is very little sense of why he would be so inspired
to dance, before he has actually done it. Yes, the
movie opens with him bouncing on his bed and working
his body to the music. But that's not enough in an
environment that is so hostile to dance.
The
second moment is the end when Billy goes in for his
audition. The Flashdance version has our hero going
through an amazing display of acrobatic dance that
has the judges and the audience tapping their feet
by the end. But this movie pins Billy's success on
what he says about dance. His physical display of
greatness has happened earlier in the film when he
is frustrated from going to an audition and dances
all over the city.
This
frustration dance is a brilliant scene, and the actor
playing the kid is fantastic. This is dance as modern
art, where the artist uses everyday things to make
his art. Billy uses stairs, walls, and railings to
express how he feels. And it is a dance that is both
amazingly accomplished but also obviously untrained.
This is a very difficult combination to show, and
the choreographer and the lead actor both deserve
great credit.
Notice
they also cheat this moment in the setup. Until then
Billy has been a hard-working klutz. Suddenly, when
he is deprived of his chance to try out, he dances
like a raw Baryshnikov. But the writers probably didn't
want to blow the power of the scene by showing the
audience earlier that the boy really is good.
This
movie is also guilty of flipping the repressive figures
of the father and the older brother too quickly. Dad
goes from being a nasty, homophobic bully to being
a saint who goes back into the coal mines to help
his boy learn to dance.
Billy
Elliot is mainly worth studying to see how the writers
take the genre and both hit all the beats that make
it work and twist certain beats to make it seem new.
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